Tag Archives: Media

Turkish activists decry attack on press freedom as journalists stand trial

/ by / Tags: , , ,

Charges include claims that Cumhuriyet journalists helped the separatist Kurdistan Workers party and Glen movement

The trial of 17 reporters and executives from Cumhuriyet, one of Turkeys last standing opposition newspapers, is set to begin on Monday with rights activists decrying the continuing muzzling of free speech in one of the worlds largest jailers of journalists.

The charges include accusations that the newspapers journalists aided the separatist Kurdistan Workers party (PKK) and the Fethullah Glen movement, which is widely believed in Turkey to have orchestrated last years coup attempt, and complaints of irregularities in the elections of the organisations board of executives.

Rights activists say the trial is an assault on freedom of expression and the accusations are absurd, because Cumhuriyet, the countrys newspaper of record that is committed to secularism, has long warned of the dangers of the Glen movement, which itself has long been at odds with the PKK.

They argue that the other charges are an attempt at replacing the newspapers board of directors with government appointees more pliable to the ruling partys influence.

I have been a journalist for a long time and have dealt with this for a long time, said Aydn Engin, a veteran journalist with Cumhuriyet who is also standing trial on Monday, but had been released for health reasons. I will say that I am ashamed and in agony for my country because of these irrational accusations, he said.

President Recep Tayyip Erdoan and his ruling Justice and Development (AK) party have, for years worked to dismantle or co-opt Turkeys free press. That crackdown has accelerated in the year since last Julys coup, with more than 150 journalists believed to be behind bars in Turkey, the highest in the world ahead of China and Egypt.

As of March this year, 173 media outlets had been shut down, including newspapers, magazines, radio stations, websites and news agencies. More than 2,500 journalists have been laid off as part of the closures and 800 have had their press cards revoked, according to the Republican Peoples party (CHP), the main opposition bloc.

The government has also exerted pressure on media outlets that do not toe the official line by pressuring advertisers not to do business with them and pursuing cases of defamation, or by slapping them with large, unpayable fines. After media outlets that once belonged to the Glen movement were seized, the government-appointed trustee boards that have transformed those newspapers and TV stations into a loyalist press.

These loyalist media outlets are often referred to as penguin media because a TV station that was fearful of antagonising the government during the Gezi protests of 2013 aired a documentary about penguins instead of broadcasting the protests.

That threat of a trustee board hangs over Cumhuriyet, a newspaper that was founded in 1924 and is the only serious newspaper in circulation that is vehemently opposed to government policies. It has described the crackdown after the coup in which the government dismissed or detained tens of thousands of civil servants, police and military officers, academics, judges and journalists as a witch-hunt, and has repeatedly criticised Erdoan as an authoritarian attempting to destroy democracy.

Erdoan has described democracy as a train before, said Engin, referring to a quote by the president that described democracy as a train that one can get off from once you reach you destination. Its going to be worse for Cumhuriyet. Maybe it will be a shut down, a quick and painless death, or we will suffocate slowly.

The newspaper has also joined calls for a ceasefire and peaceful resolution to the conflict with the PKK at a time when the government had opted for a security-focused response amid heightened tensions. The former editor-in-chief, Can Dundar, is in exile after being prosecuted for a 2014 article that revealed the National Intelligence Organisation (MIT) was sending weapons across the border into Syria under the guise of humanitarian aid, a story that the authorities say was leaked by Glenist conspirators.

On Monday, a week of hearings is expected to begin in the Cumhuriyet case against 17 of the newspapers journalists and executives. The case will commence with a reading out of the indictment and opening defense statements, and they expect for the presiding judge to decide whether to release the defendants on bail by Friday.

This trial offers the government another opportunity to change course in its campaign against Turkeys independent media, said Tobias Garnett, a human rights lawyer with P24, an organisation that advocates for press freedom and supports Turkish journalists on trial. Journalism is not a crime. Prosecutors should stop dressing up legitimate criticism as terrorism and harassing journalists through the courts.

Blent zdoan, the managing editor of Cumhuriyet, said in an interview with the Guardian that the trial was not just about press freedom, but about the governments campaign in the aftermath of the coup more broadly.

Its not just a struggle for free press, he said. Our arrested colleagues are people of a high moral and intellectual calibre. Its for everyone who lost their jobs, those who have been on hunger strike. Theyre struggling for both of us. Thats why I believe its a new start.

The arrest of journalists has earned Ankara criticism from abroad. Late last month, the UN human rights councils working group on arbitrary detentions issued a legal opinion arguing that the arrest of the Cumhuriyet staff contravened the universal declaration of human rights and was arbitrary. The panel of experts called on the Turkish government to release the journalists.

Read more: https://www.theguardian.com/world/2017/jul/24/turkish-activists-decry-attack-press-freedom-journalists-stand-trial

READ MORE

To the Bone confirms there are (almost) no good movies about anorexia

The Netflix drama, which stars Lily Collins, leans on some outdated tropes. But only a handful of novels and films have evoked the reality of the illness, or explained why so many women turn their unhappiness on themselves

No talk about food. Its boring and its unhelpful, announces Keanu Reeves playing (hold on to your hat) a doctor specialising in eating disorders in To the Bone, the much-discussed upcoming film about anorexia, starring Lily Collins and distributed by Netflix. And this is excellent advice, but it can be hard to see beyond the surface issues when you are dealing with someone who is literally starving themselves to death: the shoulder blades jutting out like birds wings, the food hidden under place mats, the limbs so wasted you can circle them with your fingers. It is even harder if a part of you is turned on by skinny, self-destructive women, as the movies invariably are, and this one definitely is.

Its not easy to make a good movie about anorexia, which is why almost almost none exist. How to depict a mental illness that unlike, say, schizophrenia or bipolar disorder has such a well-known and hard-to-fake physical manifestation? To the Bones writer-director, Marti Noxon who based the movie on her own experiences with the illness got around this by getting Collins, who has spoken about her own struggles with eating disorders, to lose an astonishing amount of weight so that she looks credibly anorexic on screen. Given how thin female actors now have to be just to look slim, your heart breaks at the thought of how much weight she must have lost to look so painfully ill.

To the Bone has been wildly praised since it debuted at Sundance in January, and I can only assume this is because critics get weirdly overexcited when actors undergo physical transformations. The truth is To the Bone is not a good movie about anorexia. In fact, it is a bad one. We could talk all day about the ethics of hiring a young woman who is known to be vulnerable to eating disorders, and then telling her to lose weight to look anorexic, but lets give Collins the benefit of the doubt and say she is an adult woman who is free to make her own career choices. Instead, lets talk about To the Bones real problem, which is that it is shallow, sexist and sick.

The only justification for making a movie like this is that it is going to provide some insight into a much-discussed if little understood problem, a requirement Netflixs earlier and similarly exploitative foray into self-destructive young women, 13 Reasons Why, notably failed to meet. But from the very first scene it is obvious that To the Bone leans on some wearily outdated tropes. We first see Ellen (Collins) in an in-patient unit, in which she and her fellow anorexia patients are beautifully styled in the universally recognised signifiers of crazy-but-sexy young women: heavy kohl eyeliner and mascara, Tank Girl-esque distressed clothing and biker boots. We have gone from 1999s Girl, Interrupted to 2017s Meal, Interrupted.

Click here to watch the trailer for To the Bone.

From there on, the anorexia stereotypes are ticked off with the regularity of hospital mealtimes. The movie disregards its own advice almost immediately about not focusing on the food and does so with voyeuristic intensity, without ever asking why so many women feel so unhappy, and why they then turn this unhappiness on themselves. All the anorexia patients, with one male exception, are young, attractive, middle-class white women, when the illness affects a far broader demographic. Reeves, as Ellens psychiatrist, Dr Beckham, is a self-described unconventional doctor, who proves his unconventionality by swearing occasionally and insisting his methods are totally different from anyone elses (theyre not: they rely on therapy and healthy eating, as almost all eating-disorder treatments do). He also clearly enjoys his power over his mainly female patients and a braver, less conventional film would have explored this more. Instead, To the Bone merely accepts the doctors version of himself as the brilliant, patriarchal medical professional who can fix women.

I am going to show my cards here and say that I am undoubtedly biased on this issue, because I had a doctor similar in some regards to Beckham during my first three hospitalisations: Dr Peter Rowan, then based at the Priory in Roehampton. I was only 14 when I first met him but even then it seemed to me that he revelled too much in his authority over a ward of vulnerable women, who in turn viewed him as god-like. In 2011, 18 years after we parted ways, he was struck off when it emerged he had what was described as a blurred and secretive relationship with a female patient, who left him more than 1m in her will.

Now, clearly, there are plenty of excellent male psychiatrists who work with eating disorders, and my experience was an outlier. But given that anorexia is often a form of rebellion against gender norms, with female and male sufferers rejecting, respectively, sexualised femininity and macho masculinity by starving themselves, it is ironic that a movie should re-enact such gender cliches. The doctor is a man, the nurse is a woman, the women in Ellens life (her mother, stepmother and her mothers girlfriend) are all self-obsessed and bitchy, her father is absent but hard-working. The one male anorexia patient is wise and selfless in a way none of the female patients are, and spoiler alert he, along with the male doctor, helps to save Ellen. Many brilliant women are now the leading lights in eating-disorder treatment, not least the woman who treated me through my last three hospital admissions, Professor Janet Treasure, now the director of the Eating Disorder Unit at the Institute of Psychiatry at Kings College, London. So the idea that all that these hysterical female anorexia patients need is a couple of calm men to save them from themselves is, to put it mildly, grating. The film even tacks on a frankly ludicrous romantic subplot, and anyone who thinks patients with eating disorders are making out with one another on hospital wards has clearly never bothered to Google what starvation does to a persons libido.

There is currently a petition online demanding that Netflix pulls the show for two reasons. The first, that it might trigger sufferers, is a point I feel sympathy for but cannot agree with. Legislating against anything that might trigger the mentally ill or vulnerable is an impossible game of Whack-a-Mole. But the petitions other complaint, that it glamorises anorexia, will be less easy for the film-makers to dismiss. Contrary to what the character of Ellen might suggest, anorexia is not all thigh gaps and eyeliner. By the time I was admitted to hospital for the first time when I was 14, most of my hair had fallen out, I could barely walk because I was so cold and my knuckles bled constantly due to extremely dry and cracked skin. Instagram-ready, I was not. There is a line between rendering a complex subject filmable and sexing-up a serious illness, and To the Bone crosses it from the first scene. And when all a movie about anorexia tells you is that people with anorexia have issues with food, and that this makes them thin and unhappy, you have to wonder what the point of the movie is.

Anorexias physical manifestations distract even those of us who have suffered from it from grasping the internal issues. Indeed, that is the point of the starving: we dont have to think about the unhappiness that led us to this point. In one interview, Noxon said that being around Collins and the other actors who were losing weight was difficult for her. I started to need to turn to the other female producers quite frequently and say: Im going to need you to tell me that I dont need to lose weight, she said. When there is a part of you that still gets turned on by not eating, you will not be able to discuss anorexia properly, because you are still preoccupied by the surface symptoms.

Lily
Lily Collins in Netflix drama To the Bone. Photograph: Gilles Mingasson/Netflix/Netflix

Even beyond the directors own issues, it feels almost inevitable that anorexia should be glamorised in a movie made today. We have come a long way from 1983, when Karen Carpenter died of anorexia and people were shocked that someone could actually starve themselves to death, but despite the increased awareness, conversations about the illness still too often descend into voyeuristic fascination. Since the 90s, when skinny became the female beauty standard (a sharp diminution from the more Amazonian supermodels of the 80s), representations of anorexia in mass culture have come wrapped in a weird mix of prurience, spectacle and aspiration. The Daily Mail has a regular, long-running and wildly irresponsible column by a woman writing about her anorexia. The glamorisation of anorexia online is notorious by now, with the rise of pro ana (pro anorexia) websites, which pass on tips about how to avoid eating, and thinspo (thin inspiration) images on Instagram; anorexia has been reduced to an aesthetic expression and To the Bone reflects that.

In terms of art, there is remarkably little that is much better. Poor Richey Edwards, the late guitarist from the Manic Street Preachers, wrote probably the most brutally evocative song about it, 4st 7lbs (I eat too much to die / And not enough to stay alive / Im sitting in the middle waiting). But he himself was so caught up in the illness he could only depict the immediate experience, not the larger overview. In books, there are plenty of anorexia memoirs now both celebrity and non most of which, to be honest, are little more than a mix of food diaries, pop-psychology and self-help.

By far, the best book on the subject is Jenefer Shutes astonishing novel Life-Size, which captures the confusing early descent into the illness, the loneliness of it at its most extreme and the weirdness of hospitalisation better than anything I have ever seen or read. Noxon has responded to criticism of her movie by emphasising it is based on her indidvidual experience, but Life-Size reveals the laziness of this popular get-out clause. Everything is an individual experience, but if your re-telling of it strikes no general chord, the fault is in your telling. Life-Size is a deeply personal story, about a twentysomething with anorexia called Josie. But in its wholly original, quasi-poetic prose style that shifts between memory, the hospitalised present and Josies hallucinations, this is a book that eschews the cliches and, in doing so, touches a wider truth. No one thing can cure someone with anorexia and this book definitely didnt cure me. But it did help me get a fix on my own experience as I was finally starting to recover and, in that regard, changed my life.

There have been only two good movies about anorexia: both treat the subject almost metaphorically and both were directed by Todd Haynes. Most obviously, there is Superstar: The Karen Carpenter Story, Hayness film about the most famous anorexia sufferer of all, retold with modified Barbie dolls, which perfectly captures the artificially perfect world that many with anorexia feel they need to embody. Then there is his 1995 film Safe, about a woman who seals herself off away into an antiseptic world. While not explicitly about anorexia, Safe evokes the real experience of the illness: the self-imprisonment, the illogicality, the sense you are being eaten up from within by forces you cannot control.

When I think back on my years of being ill, which went on long after I left hospital, I barely think about the food and the weight at all. Instead, I remember the cold, the isolation, the institutionalisation, the time lost and all the things Hayness movies and Shutes book depict so well. Keanu was right: its not about the food. Thats just the boring stuff that distracts even those who should know better.

To the Bone streams on Netflix from Friday.

Read more: https://www.theguardian.com/film/2017/jul/12/to-the-bone-confirms-there-are-almost-no-good-movies-about-anorexia

READ MORE

Popular social media sites ‘harm young people’s mental health’

Poll of 14- to 24-year-olds shows Instagram, Facebook, Snapchat and Twitter increased feelings of inadequacy and anxiety

Four of the five most popular forms of social media harm young peoples mental health, with Instagram the most damaging, according to research by two health organisations.

Instagram has the most negative impact on young peoples mental wellbeing, a survey of almost 1,500 14- to 24-year-olds found, and the health groups accused it of deepening young peoples feelings of inadequacy and anxiety.

The survey, published on Friday, concluded that Snapchat, Facebook and Twitter are also harmful. Among the five only YouTube was judged to have a positive impact.

The four platforms have a negative effect because they can exacerbate childrens and young peoples body image worries, and worsen bullying, sleep problems and feelings of anxiety, depression and loneliness, the participants said.

The findings follow growing concern among politicians, health bodies, doctors, charities and parents about young people suffering harm as a result of sexting, cyberbullying and social media reinforcing feelings of self-loathing and even the risk of them committing suicide.

Its interesting to see Instagram and Snapchat ranking as the worst for mental health and wellbeing. Both platforms are very image-focused and it appears that they may be driving feelings of inadequacy and anxiety in young people, said Shirley Cramer, chief executive of the Royal Society for Public Health, which undertook the survey with the Young Health Movement.

She demanded tough measures to make social media less of a wild west when it comes to young peoples mental health and wellbeing. Social media firms should bring in a pop-up image to warn young people that they have been using it a lot, while Instagram and similar platforms should alert users when photographs of people have been digitally manipulated, Cramer said.

The 1,479 young people surveyed were asked to rate the impact of the five forms of social media on 14 different criteria of health and wellbeing, including their effect on sleep, anxiety, depression, loneliness, self-identity, bullying, body image and the fear of missing out.

Instagram emerged with the most negative score. It rated badly for seven of the 14 measures, particularly its impact on sleep, body image and fear of missing out and also for bullying and feelings of anxiety, depression and loneliness. However, young people cited its upsides too, including self-expression, self-identity and emotional support.

YouTube scored very badly for its impact on sleep but positively in nine of the 14 categories, notably awareness and understanding of other peoples health experience, self-expression, loneliness, depression and emotional support.

However, the leader of the UKs psychiatrists said the findings were too simplistic and unfairly blamed social media for the complex reasons why the mental health of so many young people is suffering.

Prof Sir Simon Wessely, president of the Royal College of Psychiatrists, said: I am sure that social media plays a role in unhappiness, but it has as many benefits as it does negatives.. We need to teach children how to cope with all aspects of social media good and bad to prepare them for an increasingly digitised world. There is real danger in blaming the medium for the message.

Young Minds, the charity which Theresa May visited last week on a campaign stop, backed the call for Instagram and other platforms to take further steps to protect young users.

Tom Madders, its director of campaigns and communications, said: Prompting young people about heavy usage and signposting to support they may need, on a platform that they identify with, could help many young people.

However, he also urged caution in how content accessed by young people on social media is perceived. Its also important to recognise that simply protecting young people from particular content types can never be the whole solution. We need to support young people so they understand the risks of how they behave online, and are empowered to make sense of and know how to respond to harmful content that slips through filters.

Parents and mental health experts fear that platforms such as Instagram can make young users feel worried and inadequate by facilitating hostile comments about their appearance or reminding them that they have not been invited to, for example, a party many of their peers are attending.

May, who has made childrens mental health one of her priorities, highlighted social medias damaging effects in her shared society speech in January, saying: We know that the use of social media brings additional concerns and challenges. In 2014, just over one in 10 young people said that they had experienced cyberbullying by phone or over the internet.

In February, Jeremy Hunt, the health secretary, warned social media and technology firms that they could face sanctions, including through legislation, unless they did more to tackle sexting, cyberbullying and the trolling of young users.

Read more: https://www.theguardian.com/society/2017/may/19/popular-social-media-sites-harm-young-peoples-mental-health

READ MORE